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Victoria's Home & Design Magazine

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House of Glass

A home’s architecture plays with the balance between light and dark.

Spruce Magazine - House of Glass (Winter Issue 2023/2024)

By Danielle Pope  |  Photos by Jody Beck

Aaron Baird wanted to live in a glass house. As a fervent plant owner working as a software designer, Baird’s wish was to build a home entirely filled with light. He would settle, though, for as many windows as was legally allowable. That limit, however, would turn out to be lower than expected.  

“He wanted a big, glass house for his plants and a rooftop patio, but we immediately had to face city building codes and zoning issues,” says architect Pamela Úbeda, principal of Coast + Beam Architecture, who first saw Baird’s sketches and the examples from Australia that captured his vision.

The short story: You can’t have a glass house. 

Spruce Magazine - House of Glass (Winter Issue 2023/2024)
Homeowner Aaron Baird was simply looking for a new place to live when he stumbled upon a property that would turn into his own custom build. The exterior’s Shou Sugi Ban charred siding is finished in a coarser grain than typical — another way this home sets itself apart.
Spruce Magazine - House of Glass (Winter Issue 2023/2024)
The outdoor landscape includes concrete paths that lead from one green space to the next, while creating a consistent feeling with the interior of the house.
Spruce Magazine - House of Glass (Winter Issue 2023/2024)
The horseshoe-shaped courtyard grants this home the windows the homeowner had wished for. It also creates an incredibly private space for Baird to enjoy outdoor space in close proximity to his neighbours.

Homes are allowed minimal glazing on a side yard, due to fire code. The further your home sits from your neighbour’s — typically three to 10 feet — the more windows you can have. With the housing density surrounding Baird’s purchased lot, however, he could expect minimal windows on every neighbouring side. 

Úbeda came up with a plan. 

“We needed to open up that south side, so the plan was to create a courtyard,” she says. “That’s really what created the shape of the house, and that’s how I got Aaron his greenhouse.” 

Horseshoe Luck 

The home’s U shape integrates a central garden and courtyard into the space in a way that makes every part of the house feel like it’s inside and outside at once. With its fishbowl atmosphere, the boundary between public and private is intentionally blurred throughout the space — just how Baird wants it. While the front yard faces a bustling city street, the courtyard provides a protected reprieve, isolated from neighbours. 

The balance is more than Baird was bargaining for. 

“I honestly didn’t set out to build a house,” he says. “I lived down the street in a crappy little basement suite and with COVID and everything happening I thought, I wouldn’t mind finding a better place to live.” 

When Baird discovered the property for sale on the tree-lined street, its tear-down structure was valued at almost nothing. You could smell mould a mile away, he recalls. But the land was appealing, on the crest of a hill, with oak trees and parks nearby. Baird could picture it.

“I was very ignorant going into this, and it took us a couple of years to get all the permits we needed,” Baird says. “But I’m a young guy, and pretty happy … and the project kept getting bigger.” 

Spruce Magazine - House of Glass (Winter Issue 2023/2024)
Baird says he spends most of his time in front of the fireplace, with its custom steel surround. While natural materials took centre stage in this build — including the stone, concrete, wood and steel throughout the house — many of the design decisions were actually made to accommodate Baird’s robust collection of plants. The large windows, the open-space layout and even strategic shelving took plants into consideration.
Spruce Magazine - House of Glass (Winter Issue 2023/2024)
The countertops are finished in ultracompact stone, aligning with the concrete flooring and creating a soft sheen in the kitchen. The designers debated with Baird on his wish for exposed shelving, ideally setting everything within easy reach. He agreed to a combo approach, allowing some cupboards to hide general-use items.
Spruce Magazine - House of Glass (Winter Issue 2023/2024)
The bathroom shows off the exposed shelves Baird prefers, along with a vertical terracotta tile that draws eyes up in this smaller room. The floating toilet and vanity add to the optical illusion of height in this space, with full windows aligning with the indoor/outdoor experience in the rest of the home.

That wasn’t the only thing changing for Baird. 

Since buying the property and waiting for the build, Baird had noticed some increasing health challenges. What started as a concern about asthma progressed into a breathlessness that left him, at times, unable to climb stairs. With months of medical appointments, he was finally diagnosed with pulmonary hypertension — a disease that would change the course of his life. 

Baird talks about the fact that he will need a new pair of lungs the way some people talk about replacing a pair of worn-down shoes. It isn’t that it’s a small deal; it’s that Baird is used to meeting challenges head on. 

“It’s kind of funny, actually — I bought a house on the top of a hill and it’s a hill I have a hard time climbing now, but I got an electric scooter so I can get around,” he says. “I didn’t know how my health would change when I bought this house.” 

Designing the Future 

If only a small compensation, Baird and his design team were able to factor accessibility into the build almost from the beginning. He would have his horseshoe-shaped greenhouse, with accommodations for an elevator and single-floor living, if required. 

“Doing this with a life-altering condition meant that much of the design was changed to address his future needs,” says Tim Agar, principal of Horizon Pacific Contracting. “The architecture was really secondary to him. Aaron is a gardener first and a homeowner second, so we needed to find a way to bring the gardens inside. He wanted to be able to walk straight through, from garden to house to garden again. So we did things like bring concrete through the spaces, so he didn’t need to worry about shoes.” 

The team also created elevations within the backyard to build “absolute privacy,” says Agar, along with almost 10-foot-high fences so Baird could sit and enjoy his space. The exterior rough-grade Shou Sugi Ban siding, with its blackened, charred appearance, contrasts sharply against the bright space, while tying into the charcoal accents throughout the house. 

With 20-foot ceilings, almost floor-to-ceiling glass and a catwalk over the living area, the home is dramatic. A loft-style upper level gives Baird space for hosting family and plenty of room for his senior cat, Khan, to call his domain. A perforated steel staircase brings a knife-edge feel to the space, countered by exposed beams and natural wood throughout the house. 

Spruce Magazine - House of Glass (Winter Issue 2023/2024)
The upper-level loft was designed as a space for Baird to find a reprieve, with purpose-built areas for reading, resting and playing guitar. It’s also a favourite hangout for Baird’s senior cat. The surrounding windows and skylights make it bright and cheery, year round.

“There are touches of West Coast warmth throughout the house, and it’s very open, even in the shelving,” says interior designer Pamela Billinghurst. “Most people want to hide their things, but Aaron wanted to show them off. Being able to quickly grab things off a shelf was important to him.” 

Destination Nature 

Billinghurst worked with Baird to turn every room into a destination. By adding select bold colours in the bathrooms, bedroom and den, as well as a blue perforated staircase, which also creates shadow play on the walls, the home is lit with personality. Even the front door hints at what’s to come. 

“The connection between interior and exterior is so strong, you feel immediately connected to nature in this house,” says Billinghurst. “The library loft upstairs has a space for afternoon reading, naps and playing music, while still feeling like you are outside. And you never need to turn a light on in the day.” 

While the home required a driveway for bylaw, Baird doesn’t drive, so the team designed a broken-up pathway with greenery. They also put in a rain garden — a pond covered in foliage — to act as an overflow basin and rainwater collection space that flows downhill to the gardens. 

Then, of course, there are the gardens. Baird worked with Erin Renwick of Greenspace Designs to bring the outdoor space to life. Her team brought in pops of colours through a series of lupins, ferns, bushes and wild grasses. Baird later added a few touches himself: sunflowers, berries, grapes and tomato plants, fig trees, peach trees and more. 

“I built way too big of a house,” says Baird, with a laugh. “I spend most of my time just sitting in front of the fireplace on the main floor, or in the backyard. Being able to look out and see green from every angle in the house means a lot to me, especially as things change.” 

Resource List

Architect: Coast + Beam Architecture
Interior designer: Pamela Billinghurst Interior Design
Builders and framer: Horizon Pacific Contracting
Light fixtures: Amped Electrical Contracting
Cabinets and woodwork: CSD Design
Doors and hardware: Home Lumber & Building Supplies
Roofing: Top Line Roofing
Shou Sugi Ban: Warburton Woodworks
Concrete work: Vancouver Island Polished Concrete, Horizon Contracting
Flooring and tile: Island Floor Centre
Kitchen appliances: Trail Appliances
Countertops: Colonial Countertops
Plumbing fixtures: Watershed Plumbing & Gas
Stairs: NightNDay Projects
Fireplace: Ark@Home
Landscape design: Greenspace Designs
Landscaping: Golden Appeal Landscaping

Related Topics
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